Until I wrote the lines about landscapes and maps, I never really realized the impact of perspective. A camera was a great machine for making perspectives; some perspectives were not what you wanted, especially when depicting architecture; you could deal with this issue by using the right lenses. That was all I knew and ever thought about.
Still, I was not fully aware of what perspective or the lack of it means if you consider actual space and the picture plane. Making photographs with little or no perspective (or ‘depth’) is yet another way to abstract from our everyday perception of things, and it might be yet another hint at the artificiality of pictures, their ‘pictureness’.