After their car broke down, these sprightly gentlemen did not immediately find a replacement they deemed adequate. Now they got a new classic, and are ready for adventure.
I’ve been posting the first part of this story over the last couple of weeks, and there is also a page where it can be enjoyed without scrolling backwards.
When, a while ago, the lens artists challenged us to share quiet moments, instead of going through my beach and museum and travel photos, I wondered if, and how, I could show my quiet moments en miniature. Pondering several possibilities, I realized that reading almost always gives me some quiet – and that I can experience this quietness everywhere and anytime.
Today I would like to share a couple of pictures which surprisingly turned into a short story.
When I saw the lens-artists challenge Quiet Moment, this was the first picture that came to mind – it obviously took a while to make it, and a whole series with readers in different moments along with it. This week’s challenge seems a great starting point for sharing: Who says you can’t have a quiet moment when you’re On the Move?
“Going back” is this week’s Lens Artists Challenge; Sofia Alves takes us back to an old doors challenge. In the light of these two ideas I’d like to start this post with some back doors.
As far as toy photography goes, I love to build and photograph doors because of both their architectural and narrative potential. They are simple means of definig a building and evoking an atmosphere – back door or main? Factory or bar? Welcoming or forbidding?
A door is a passageway. This function evokes narrative. The door is closed: what’s happening behind it? The door is open: will someone walk through it? And then, what will happen?
The inside and the outside can stand for a before and an after. Thus, narrative – or the paasing of time – can be hinted at in a single picture.
A happy coincidence: This picture is part of a sequence, and it is ready to be shared just the moment lens-artist Leya announced this week’s challenge #319: Setting a Mood.
Initially, I only wanted to make a picture of a bench, a tree and the old man on a hill, in silhouette. Then I saw the potential for a short narrative – with a very similar, epic story by Christophe Chabouté, The Park Bench, at the back of my mind. So this is also a homage to one of my favorite graphic novels.