Downtown

The light from the desk lamp through a window of one of the miniature façades I use for my miniature toy photography: Glowing moments like these provide for good pictures but I also take them as proof that even with staged photos, there are moments that are unrepeatable (or very hard to reproduce). This is an enty for the lens-artists’ photo challenge #244 – only one ‘glowing moment’ cause this kind of photography is very slow.

The Long Arm of the Law

There was Jo’s question about an arrest in the last post, and there was also a prompt to do a noir photo in the toy photographers’ community so I tried my hand at some ‘neo noir’. I wanted to see if noir, which we mostly associate with black-and-white, also works in color. And though this picture was motivated by Jo’s question, I am afraid we’re none the wiser. I chose the mystery.

Flights of Fancy

Toy photography and flights of fancy: it almost seems like a defining combination. Wouldn‘t it be nice to just have a huge wall with a couple of tiny windows and a backlit „Tickets“ sign? Then I could show a long line of people waiting to get one. And can I translate the jazz music played at a concert into a picture?

Flights of fancy indeed, and when I build these 1/87 scale dioramas or set up scenes, it often seems like they will remain just that. Other times, things turn out quite well (if not always the way I would have expected). These two pictures are from my jazz series. The titles are Broadway Blues and Jumpin’ at the Woodside, after the respective songs composed by Ornette Coleman and Count Basie.

The Thirsty Ear

(JD Allen)

“Minton’s was just a place for cats to jam. People didn’t pay too much attention to what was going on, I mean the people there that weren’t musicians. So when you went in, you’d see cats half-stewed who weren’t paying much mind to what was happening on stage. But the musicians were.” Carmen McRae