Watching the Game [Prologue]

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Is there any wilderness left? With a camera and its frame you can make believe there is, and on some occasions I roam the nearby meadows and forests to do exactly that. But every once in a while I not only happen upon felled trees and tyre tracks but also upon raised hides. They actually tend to get in the way, eliciting the exasperated sigh, “another one!”

Following the maxim to make that which disturbs me part of the picture – or even the picture’s sole subject – I decided to photograph the raised hides themselves. They seem to lend themselves to a ‘graphic’ treatment, to trying out various compositions.

I am always interested in what I like to call fleeting architecture: Tents, scaffolding, construction sites – and also, less fleeting, industrial facilities. They all seem to embody the essence of the ‘form follows function’ principle, their utter lack of aesthetic ambition bringing forth a very own kind of aesthetics.

If all goes well, these pictures will convey a sense of typology: Although these ‘buildings’ are in the hinterland, the series’ title might well be Le città e la caccia which I think sounds good and which I also think would pursue the idea of describing a place focusing on some of its isolated aspects.

I hope you all enjoy accompanying me into the woods once more. Let’s go, and don’t startle the deer!

The Old Story

325-22 325-24As seen at the Museum of Natural History in Wiesbaden (Naturhistorische Sammlungen im Museum Wiesbaden). The new exhibition focuses on aesthetics rather than the systematic aspects of biology – which I think is different. If you happen to be in Wiesbaden, this museum would be my recommendation for a rainy day. In fact, a friend’s ten-year-old son bears witness  to children enjoying it too.

“Beyondless.”

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A place. Where none. A time when try see. Try say. How small. How vast. How if not boundless bounded. Whence the dim. Not now. Know better now. Unknow better now. Know only no out of. No knowing how know only no out of. Into only. Hence another. Another place where none. Whither once whence no return. No. No place but the one. None but the one where none. Whence never once in. Somehow in. Beyondless. Thenceless there. Thitherless there. Thenceless thitherless there.

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Where then but there see –

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See for be seen. Misseen. From now see for be misseen.

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Samuel Beckett: Worstward Ho | This is part five of five. A short introduction can be found in part one.

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