Kunstpunkte 2023

Tobias M. Schiel5 Comments

Kunstpunkte (literally “art spots”) stands for two weekends when more than 100 artists in Düsseldorf invite the public to visit their ateliers. These visits always fascinate me; they are a chance to get very close to art and artists, experiencing the places where the works are acutally made. This is similar to visiting the Kunstakademie Düsseldorf (academy of fine arts) which I will cover in a separate post.

You may notice that I barely photograph the art itself, feeling much of it has already been reproduced (the last picture in this post shows part of an art work however). As for the artists themselves, I value their privacy, plus I am not really a portrait photographer. So here are some impressions from four different spots all of which you might not get to see outside of the Kunstpunkte.

Note: The next Kunstpunkte will take place next weekend and the weekend after.

Shorelines

Tobias M. Schiel11 Comments

Cap de Carteret

Le Havre

Les Falaises des Vaches Noires

Pointe de Barfleur – Phare de Gatteville

From the Cotentin peninsula to Le Havre, the Normandy coast has so many faces. And the light changes constantly. Here are a few pictures for the lens-artists challenge 314: shorelines.

Posted in Art

Party of Five

Tobias M. Schiel8 Comments

Lens-Artists Challenge 312: Sense of scale. Photographing 1/87 scale (H0) worlds is in itself playing on our sense of scale, maybe even aiming at the viewer questioning her or his sense of scale for a moment. At the same time, most of the elements of a photo are applied in this small world, too: The objects in this picture, along with the camera position, should give a feeling of depth here. By employing these means, I hope to give the picture a real-life immediacy … a touch of streeet photography at best.

“Faceless Self Portrait”

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“A field day for deconstructivists: Is it really possible to speak of a ‘faceless self portrait’? Isn’t a person’s face what we believe to be the essence of their portrait? And doesn’t – on the other hand – the abstraction called for by a ‘faceless portrait’ defy the purpose? Couldn’t anyone hence claim that this self portrait was more accurately theirs? Must, therefore, any faceless self portrait incoporate some irony? And if so, with all différence lost and some irony thrown into the mix, what does it show? Me? Nah.”

When I’m Sixty-Four

Tobias M. Schiel8 Comments

Like “Lovely Rita” a couple of weeks ago, this one is based on a Beatles song. Though I am not a big fan of their music in general, I think the “Sgt. Peppers“ album is a work of genius, and I always wanted to do a series of pictures based on the entire selection of songs it features. One day… For now, here’s an entry for the Lens-Artists Challenge # 297: Music to My Eyes.