Graphic

This week, John Steiner of the Lens-Artists came up with a challenge that really got me thinking: John prompts us to pick a word “that fits your topic and select three or four appropriate photos to share.” In view of my toy photography years and the time before that, would I find any common denominator? I used to be very intersted in abstract photography, exploring real space and pictorial composition. It also seems I like showing affiliations or connections, both spatial and social.

One way of doing so was employing neagative space and stark contrasts – which is something I’ve also been exploring with toys lately. So here’s a little retrospective: three toy photos, and three photos showing memorials.

The latter date back to 2012-13, while the picture with the three deck chairs is no older than a week.

How to Make a Faceless Self Portrait (With Dog)

These miniature scenes do not happen out of the blue. I am an amateur photographer. I love wearing that type of cap. People have to wait for my while I take a photo. And yes, I have photographed shop windows before.

Scanning my photos for proof, I found some pictures that fit the bill. Looking back even made me realize I hid my face in my real-life self portraits as well.

I think when we photograph we always do it with thousands of pictures in our heads, even if we do not have them all before our inner eye in the moment we release the shutter.

Left: “A Picture With Me in It” (2012), right: “Junk” (2009)

Party of Five

Lens-Artists Challenge 312: Sense of scale. Photographing 1/87 scale (H0) worlds is in itself playing on our sense of scale, maybe even aiming at the viewer questioning her or his sense of scale for a moment. At the same time, most of the elements of a photo are applied in this small world, too: The objects in this picture, along with the camera position, should give a feeling of depth here. By employing these means, I hope to give the picture a real-life immediacy … a touch of streeet photography at best.