Category Archives: Art

At documenta Kassel, for the Weekly Photo Challenge

Hello … My Name is … YOR7










Looking for traces of use and abuse around Wiesbaden’s former courthouse, I spotted these pictures painted on metal doors. I found them absolutely gripping, and immediately decided I had to show them to Jörg from Dosenkunst. Then I checked with his blog and found out he had photographed and posted them quite a while ago. So what was the point of photographing them again?

I told my wife I had to show her some photos of graffiti, and upon seeing them she replied: “Are you sure you want to call these graffiti? They are art!” So here’s another interpretation of art…

Mind Massage






A visit to the museum is a success when I feel like I had my brain massaged, when I literally start to look at things differently. That’s what contemporary art does for me, even if I do not fully understand it.

Happy Place: Museum





Man is only himself when at play, claims Friedrich Schiller in his Letters upon the Aesthetic Education of Man. For me, museums are not just places that deal with aesthetics but also adult playgrounds – especially when I am allowed to use my camera: Museums encourage taking the risk of looking at things differently; the whole activity feels like getting the head massaged. | A contribution for the Weekly Photo Challenge: Happy Place.

Understanding Art. ZERO


The picture – Organische Struktur (1962) by German artist Günther Uecker – hangs on a wall like a painting. Yet it challenges the notion of a picture plane. While the indistinct ‘background’ lacks any classic perspective, the nails will inevitably be seen in perspective by a spectator.

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The picture changes as you walk past; note the varying balance of dark parts and bright parts, caused by light and shadow on the otherwise monochrome nails. Unlike in Renaissance painting, there is no privileged point of view from which – and from which only – the perspective will work.

There is  great openness in this kind of art, inviting some activity from the spectator. The right perspective is the one you choose. The same seems to apply to Vibration (1961) by Jesús Rafael Soto (below). Because of the narrow stripes in the background, the wires seem to vibrate as you walk around – an effect the still camera captures as jagged lines.

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I had no idea when to post this (I made the photographs on May 24), but then Christina aka Paleica came up with a challenge that’s right down my alley: Kunst / Art. Thank you, Christina!