Magical Minimalism is this month’s theme at Paleica’s. When I described my understanding of Minimalism before, I said that minimal music can be quite hypnotic. So adding ‘magical’ is right to the point here. I also wondered if part of the effect of minimalism might be caused by the notion of not really being too sure of what you hear… Well maybe this also works with these pictures, in a visual way, in a way.
Minimalism
In her monthly photo challenge, Paleica suggests we show some Magical Minimalism. Setting aside the magic, what’s minimalism? People knowing my pictures may be surprised I ask this – but I am not a Minimalist. It is true that I often make use of a somewhat minimalistic approach to show what I have in mind: Minimalism always was a means for me, not an end…
I enjoy listening to minimal music, so let me focus on that. It can be highly hypnotic, and some of my favourite pieces – like Louis Andriessen’s Hoketus – make you wonder what you really hear. Hoketus is played by two small groups of musicians. Both groups play highly repetitive patterns – there are not even really melodies during the first few minutes. But as you keep listening to both ‘sides’, melodies seem to evolve.
It takes all the concentration you can muster to actually hear what the respective groups of play… I think Hoketus points to the basic elements of music such as pitch, timbre, and rhythm.
Without having done any reading on the topic, I would like to try and induce what Minimalism for the sake of Minimalism might be: A specific attempt to highlight (and question) the material or elements used in the art work.
Now the first ‘element’ that comes to mind when we talk about photography is light. Here’s what I found when I tried to work my way from this starting point.
→ Here is an article on Minimalism I read after writing these lines. It is in German – but it seems to confirm some of my thoughts (for example, about materiality), so I thought I’d link to it for those of my readers who speak German.
Seascapes
Shadows
So much sun, so many shadows – for Paula’s Thursday Special. I did not really know which one to pick. The second picture is entitled Measure for Measure, and the third one seems to answer to Paula’s question: “Are you ready to face your own shadow?” Or will it make you trip over your own legs?
Litfaß 26
Litfaß 25
Litfaß: These pictures are important to me. About a year ago, I was looking for opportunities to focus on composition without paying too much attention to subject.
In this search I found Litfaßsäulen, advertising columns. On these columns, they attach one poster on top of the other. It’s standard procedure here in Germany, so if you look closely your realize the columns grow in diameter.
But there’s a local specialty in Wiesbaden: Somebody writes over the brighter parts of the posters, leaving quotes from the Bible, sometimes advertising his ability as an exorcist. Later, someone apparently not liking these particular graffiti tries to tear off the poster pieces that have been written on. And then the ‘work’ of the writer and his (alleged) adversary may be covered with a new advertisement the next day.
This is what we are looking at in the pictures: They represent a ‘slice of time.’
Still, I am asking myself why I don’t create palimpsests from old books or magazines or travel brochures? They could look very much the same as these photos with one difference: The palimpsest would feel like first-hand reality (as opposed to only a representation of a first-hand reality).
Would that really be better? The photos enlarge the paper’s structure as well as the dots and details that come with the printing process of the poster, and fragments of handwriting. I feel like I am at the ‘inside’ of the posters.
I realize that part of these photographs’ fascination lies in view of this materiality – graffiti pictures showing similar compositions do not do the job as well; I tried it: They always fall a bit short of my expectations.
Litfaß 22
Litfaß 21
Graffiti Details
Photographing Graffiti: trying to turn pictures into pictures. The walls of Blankenese Lighthouse (Hamburg) were covered with layers of graffiti (‘gone over’). Framing parts of them into new pictures seemed to make sense … trying to bring to light whatever meaning the details might contain. [Jen, thanks for the Weekly Photo Challenge.]
Look Up
I Scream, You Scream…
…we all scream for: sunshine! So far the German summer must have been close to a polar bear’s dream of summer. But when I finally had everything in place for this contribution to Paleica’s Magic Mottos, the skies were actually quite blue. So here we are with Sommer, Sonne, Sonnenschein.
Opposites
My contribution for the Weekly Photo Challenge…
Optical Echo
My entry for Thursday’s Special: Mirroring at Lost in Translation by Paula.
Same Same But Different: Construction Sites
I’m carryin‘ most of the time and on some occasions I just have to draw. Walking past a construction site is one those occasions. Wrapped buildings, torn floors and the incidental pile of rubble quite fascinate me. That’s maybe because you not see these things every day, or because you know they will disappear as suddenly as they appeared… Fleeting architecture, built to not last, a concept somewhat contradictory to what you usually learn about buildings. | A contribution for Paleica’s Magic Mottos.
Here and There
Paula would like to see Here and There wich immediately made me think of these pictures. I am trying to figure out the role photographs play in urban environments. Do we still notice them? Shouldn’t their realism, presenting ‘other space’ in urban settings, irritate? Maybe this only becomes visible once you photograph the photographs…
Litfaß 18/19
Same Same But Different
Abstract pictures convey a large portion of meaning through composition. Although I am intellectually aware of that fact, I am often amazed by the difference even the tiniest change of camera position makes. For me, these are three different pictures, altough they represent the same piece of reality. | This is my first idea for Paleica’s Magic June Motto.
Litfaßsäulennummer
Litfaßsäulennummer: Number on an adertising column. The leaves got attached to the posters during recent thunder storms. | My contribution for The Daily Post’s Weekly Photo Challenge: Numbers.
Not Close Enough?
Glow (Construction Site)
There’s another great Thursday’s Special at Lost in Translation; the subject is glow…










































