Author: Tobias M. Schiel

Abstract arts lover, Jazz enthusiast, mystery buff, compulsive reader - and how do I get it all into pictures? Photography has been a good way over the last couple of years.1. .

Infinite

Tobias M. Schiel22 Comments

314-33a“The windows of the soul are infinite, we are told. And it is through the eyes of the soul that paradise is visioned. If there are flaws in your paradise, open more windows!” (Henry Miller, Big Sur and the Oranges of Hieronymus Bosch) – This contribution to the Weekly Photo Challenge shows the Colombier (dovecote) in Vendeuvre.

Back on the Blog

Tobias M. Schiel10 Comments

Construction 2013-07Conversation instead of presentation: A couple of moths ago I thought I needed a home page. But I did not do much with it, and it did not do much for me – other than that the blog almost vanished in the background and I could not show more than one picture per post on the blog’s first page. All looked good to me, but as I realized I love the experiment, the dynamics and the exchange of opinions more than just presenting, I grew more and more dissatisfied. So: Dear readers, here is a new layout I hope you’ll enjoy.

Heterotopia

Tobias M. Schiel9 Comments

ks3 ks4 ks5Digging into some literature on an altogether different topic, I stumbled upon this paragraph:

“I believe that between utopias and […] heterotopias, there might be a sort of mixed, joint experience, which would be the mirror. The mirror is, after all, a utopia, since it is a placeless place. In the mirror, I see myself there where I am not, in an unreal, virtual space that opens up behind the surface; I am over there, there where I am not, a sort of shadow that gives my own visibility to myself, that enables me to see myself there where I am absent: such is the utopia of the mirror. But it is also a heterotopia in so far as the mirror does exist in reality, where it exerts a sort of counteraction on the position that I occupy. From the standpoint of the mirror I discover my absence from the place where I am since I see myself over there. Starting from this gaze that is, as it were, directed toward me, from the ground of this virtual space that is on the other side of the glass, I come back toward myself; I begin again to direct my eyes toward myself and to reconstitute myself there where I am. The mirror functions as a heterotopia in this respect: it makes this place that I occupy at the moment when I look at myself in the glass at once absolutely real, connected with all the space that surrounds it, and absolutely unreal, since in order to be perceived it has to pass through this virtual point which is over there.” (Michel Foucault, Of Other Spaces. Heterotopias)

It made me wonder: Could photographs be related to mirrors? And could a photograph possibly be some kind of heterotopia? After all, photos seem to trigger a strange exchange between my position – here, in front of the picture – and the place they show which is, in most cases, not here, but inevitably there. I am here, looking at a ‘there’ which is very real as a picture and very absent as an object: “There is no there there,” I am tempted to say.

One Corner, Two Angles

Tobias M. Schiel3 Comments

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The original idea was to try out a different film, the Kodak PLUS-X 125, processed with Rodinal. Judging from the scanned pictures, my first impression is that it has a rougher, perhaps more old-fashioned look than the T-MAX 400 I usually prefer … While experimenting I realized that these two also seem to illustrate the idea of this week’s photo challenge.

Monopteron

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A contribution for the Weekly Photo Challenge: Masterpiece. This Monopteron, located on Wiesbaden’s Neroberg, was designed by P. Hoffmann in 1851 who used forms of early Florentine renaissance. So it appears to echo an echo of Greek Antiquity. But still: I like this building’s elegance and its sense of lightness (especially on a bright day), an I am intrigued by the way its circles and arches seem to form a vortex in this picture.